EOS Rebel T1i

EOS Rebel T1i

EOS Rebel T1i – The 15.1-megapixel Canon EOS Rebel T1i. Once more, we have seen a brand new SLR from Canon in under 18 several weeks in the last inside a given line. It’s really only eight several weeks because the XS was introduced, contributing to 14 because the XSi in either case your perception, competition has reduced product cycles within the dslr space.

EOS Rebel T1i Features

Now towards the top of the Rebel line, the Canon EOS Rebel T1i assumes the Nikon D90, using its video mode, as the XS and XSi remain to challenge the Nikon D3000 and D5000. Using the Rebel T1i, Canon is responding to the pincer move that Nikon’s placed on it previously couple of years, now matching them model-to-model in the low finish, since the XS and XSi will stay within the selection.

As the new HD movie mode may be the gee-whiz feature about the Canon Rebel T1i, the key feature for many photography enthusiasts may be the still image quality at 15.1 mega pixels. Based on our tests, its only rival even near this cost point may be the Canon EOS 50D or even the more lately-introduced Pentax K-7, each of which are substantially more costly at retail. (But each of which will also be more ruggedly built, specially the Pentax, with a die-cast body and significant environment sealing.)

Controls and the body styling are nearly identical (variations are divided within the User Report below) the primary changes are internal. The Canon EOS Rebel T1i’s new sensor is ever slightly bigger at 22.3 x 14.9mm in comparison towards the 22.2 x 14.8mm measurement from the XSi’s sensor, however the bigger change may be the new sensor’s high ISO abilities, running from 100 to three,200, with two broadened configurations: 6,400 and 12,800.

Canon’s new DIGIC 4 processor handles the bigger 4,752 x 3,168 in a slightly reduced speed of three.4 fps (at 1/500 second or greater — lower in the XSi’s 3.5 fps), having a maximum JPEG burst of 170 frames or 9 RAW frames. You may also now capture RAW images in most from the Canon T1i’s modes, whether Fundamental or Creative Zone.

The Canon EOS Rebel T1i’s 3-inch LCD is really a 640×480 design with 920,000 dots, creating a noticeably sharper onscreen image, ideal for focusing and verifying sharpness after capture. The Canon T1i may be the first Rebel to possess this type of high-res screen.

Additional features arrived at the Canon EOS Rebel T1i in the 50D, such as the Peripheral Illumination Correction and multiple noise reduction configurations. Auto Lighting Optimizer and Highlight Tone Priority were already introduced over and done with the XSi, but Creative Auto has become incorporated, a distinctive mode that endeavors to create creative control towards the amateur shooter.

Movie mode involves the EOS Rebel T1i with quite similar abilities towards the Canon 5D Mark II, climax greatest complete HD resolution is 720p at 30fps. It may capture 1080p videos, but only at 20fps, which is not technically fully as much as spec. Standard 640×480 movies can also be found at 30fps. You are able to by hand focus or autofocus via contrast identify by pressing the Canon T1i’s rear AE/AF-Lock button.

The Canon Rebel T1i accepts EF and EF-S lenses, and uses SD/SDHC cards, including Eye-Fi wireless cards. Battery is equivalent to the XSi, also it uses exactly the same battery grip.

Also introduced simultaneously may be the really small Speedlite 270EX, a brand new expensive that’s simple to pocket and provides cameras such as the EOS Rebel T1i and also the PowerShot G10 an accessory expensive that will not threaten to switch these lightweight cameras over. The expensive mind zooms by hand from 28mm to 50mm coverage, and flicks as much as 90 levels. Like other EX Speedlites, the 270EX sends color temperature information towards the camera. Energy originates from two AA batteries.

Canon EOS REBEL T1i more details

DIGIC 4. Canon uses the new DIGIC 4 image processor in the EOS Rebel T1i. The new processor is said to offer improvements in processing speed necessary to handle the 15.1-megapixel files with reasonable speed. The Canon T1i’s DIGIC 4 processor also keeps the noise down when compared to the Canon XSi, according to our tests, despite the smaller pixels. DIGIC 4′s greater power is the reason the T1i can incorporate many of the following improvements, from menu animations to expanded ISO.

Menu changes. Flash control has been moved from the Canon EOS Rebel T1i’s second Settings menu to the first Record menu, a sensible change, and a second Playback menu has been added to allow for the Jump settings menu item. Flash Exposure compensation is now buried in the Flash control menu, as it is on the 50D and 5D Mark II, unfortunately. And Peripheral illumination correction is now on the Rebel T1i’s first Record menu. As with all recent Canon digital SLRs, pressing the right or left arrows navigates among the menu screens without requiring you to scroll to the tab at the top of the screen, a much faster way to work. The last item highlighted in each of the EOS Rebel T1i’s screens also remains highlighted, which is great when you’re consistently changing two specific items. Moving between items and screens is also animated with a quick fade out and in with each press of the navigation buttons.

Peripheral illumination correction. Brought over from the 50D, the Rebel T1i’s Peripheral illumination correction compensates for vignetting in the corners of a lens. Correction changes depending on which lens is mounted; selecting this menu item brings up a screen where you can see which lens the camera has detected and either enable or disable this function.

ISO Expansion. For the first time, a Rebel-series camera has ISO expansion available, and in this case the amount of expansion is significant. Not only is the Canon T1i the first Rebel to offer ISO 3,200, but the two expansion settings enable ISOs 6,400 and 12,800, offering the consumer Canon enthusiast greater opportunities in low light than ever before. Also included in the series at left is a screenshot that shows the D+ indicator for Highlight Tone Priority mode. When activated, the Canon EOS Rebel T1i is limited to a range from ISO 200 to 3,200, with no High ISO options.

Creative Auto mode. First introduced on the Canon 50D, Canon’s Creative Auto mode has come to the Rebel T1i. Marked with a “CA” on the Mode dial, this mode is a cross between the Auto and Program modes. When set to CA mode, the Canon 50D allows the user to adjust the Flash, resolution, drive mode, and Picture Style. Setting aperture and exposure are converted to easier concepts of background blur (blurred or sharp), and exposure level (darker or brighter) with a slider that’s adjusted with the Quick Control dial. The more complex exposure decisions remain under the Canon T1i’s control in CA mode. The exposure slider is the more useful, standing in as a more comprehensible EV adjustment. Sometimes the blur or depth-of-field slider isn’t available, as when shooting indoors, because the Rebel T1i’s flash is deployed automatically. Turning on the flash brings this control back, though, so it’s handy that you can actually disable the Canon EOS Rebel T1i’s flash in a full-auto mode.

Live View mode. The Canon T1i’s Live view mode works virtually just like Live Take on the Canon 50D, with Quick mode, Live mode, and Live Face Identify mode. The second mode wasn’t incorporated about the XSi. Live View mode is just available, remarkably, within the Rebel T1i’s Creative zone modes, namely Program, Shutter, Aperture, Manual, along with a-DEP. An order of those modes continues to be inverted about the Rebel EOS Rebel T1i, beginning with Live Mode, then Live Face Identify, and lastly Quick mode.

Before anybody gripes, I’ll explain that no EOS Rebel T1i’s live view autofocus modes is especially fast. If you are accustomed to utilizing a digicam, however, you will be most familiar with the 2 Live modes, that are contrast-identify. You can observe your camera focusing onscreen, and also the Canon EOS Rebel T1i will explain where it’s made the decision to concentrate or maybe you have selected an emphasis area using the floating box, that area will turn eco-friendly once focus is accomplished. Because of the brand new high-resolution LCD, you’ll have the ability to tell roughly if the area is definitely in focus. Whether it’s important enough, you may also check by pressing the Canon T1i’s Magnify button about the upper right from the camera back and focus by five or 10 occasions.

Choose Live Face Identify mode, and also the Canon EOS Rebel T1i will find and hang both exposure and concentrate in line with the faces in finds, as much as 35 faces.

If you want to more precisely choose an autofocus point, you are able to change to Quick mode and employ among the Canon T1i’s nine phase-identify autofocus points (phase-identify versus face-identify: there is a near homophone that linguistic historians will need to explain). Phase-identify is identical method the Canon EOS Rebel T1i uses when you are searching with the optical viewfinder, therefore it is arguable that it’ll become more familiar to many experienced dslr customers. It is also in the past faster and much more accurate than contrast-identify systems but that is not the case within Live View mode. To make use of phase-identify autofocus, SLRs need to leave Live-view mode as their autofocus sensors are determined by getting the mirror lower for that light to achieve them. Then when you press the star button on the rear of the Canon EOS Rebel T1i, you are likely to lose Live view as it were as the camera does it’s phase-identify operation. Live view will return, and also the selected autofocus points will illuminate to inform you which ones areas have been in sharp focus.

Obviously, exposure simulation can also be area of the Canon EOS Rebel T1i’s Live View abilities. Your camera will highlight onscreen exactly what the image may be like whenever you press the shutter release, a minimum of for non-expensive shots. This can be a fantastic aspect, particularly when you are shooting in Shutter, Aperture, or Manual modes, since see what each setting adjustment provides you with when it comes to exposure.

The Canon EOS Rebel T1i’s Live view mode offers a range of two grids: one which divides the screen into 3×3 blocks, and the other that divides the screen into 4×6 blocks. Grids are ideal for arranging horizon lines and structures to help keep things searching straight.

Movie mode. Taking movies using the Canon Rebel EOS Rebel T1i isn’t as simple as utilizing a video camera. Will still be really for “artist” videographers, instead of casual customers. The main reason would be that the Canon T1i can’t autofocus as rapidly as we are accustomed to our video cameras doing, also it will not autofocus continuously you need to press the AE-Lock/AF-Lock button (marked by having an asterisk or star) about the to activate it. Whenever you do, the Canon EOS Rebel T1i’s exposure will gain up a little to allow in additional and fewer light, possibly to assist the processor get the best contrast, and also the focus will move about until it locks on something. This can be done while recording, but both exposure and concentrate changes is going to be recorded within the movie.

If you’re able to wrap the mind around the idea of establishing and taking video pictures, however, you can start to make use of the Canon EOS Rebel T1i’s Movie mode the actual way it was intended. I had been trained in early stages by Canon video cameras which have a ten second timer within the viewfinder. From the the manual recommending which i make use of the snapshot method, recording only ten seconds of the scene and moving forward, to prevent creating a boring video. I additionally edit my videos on the pc, therefore it does not bother me an excessive amount of if I must refocus a scene while recording, because I’ll just work from the video on the pc. Following action while keeping focused is unthinkable, though, which is not ideal.

The enthusiast videographer will love the Canon EOS Rebel T1i’s Movie mode, but you will find some weak points for them also. One is they can’t control shutter speed, aperture, or ISO, nor do they really understand what your camera is setting. Most video camera customers don’t be prepared to have the ability to choose fast or slow shutter speeds, except possibly a sports mode, but from the camera where one can set both aperture and shutter speed for stills you may be pardoned for expecting a bit more control in Movie mode. Many 5D Mark II customers began to trick your camera by securing the exposure, but it is unclear how to do this using the Rebel T1i (the 5D Mark II has since been up-to-date, although not the Rebel T1i).

Shutter speed for movies in Movie mode is restricted to at least oneOr30 to at least oneOr125 second, and after that the Canon EOS Rebel T1i varies the aperture and ISO to regulate exposure.

Not getting an exterior microphone jack about the Canon T1i is yet another real downer for that enthusiast videographer, because taking direct audio is important in lots of situations, especially outdoors. The Rebel T1i also offers no wind filter, another common feature from the average video camera.

There’s lots of beauty still available within the Canon EOS Rebel T1i’s Movie mode, including using all Canon’s EF and EF-S lenses, from super-wide-position to lengthy telephoto, which permit you to begin to see the world in ways that couple of video cameras enables you to. Despite the fact that you cannot control aperture using the Canon T1i, you are able to still make use of the bokeh provided with prime lenses as long as you are able to control the sunshine and movement of the subject throughout each video snapshot. (Bokeh may be the out-of-focus area before or behind the in-focus area, which many photography enthusiasts use to create their subjects aside from the backdrop usually more clouding happens using the lens available, and decreases while you stop lower.)

Similar to the Canon lengthy zoom PowerShot S-series cameras, you are able to capture a complete-resolution still image at the time of recording a film about the Rebel T1i. The recording stream is interrupted having a still image as the full-res image is saved towards the card, going for a little over two seconds. That’s regardless whether you capture a minimal-res JPEG or perhaps a RAW JPEG (a minimum of within the pre-release camera). Incidentally, the artificial shutter seem recorded in to the video, composed of the light clicking seem, is a lot quieter compared to Canon T1i’s actual shutter seem, that is still fraught having a rubber stamping and winding noise. A minimum of you do not hear that within the video.

Sensor technology. The Canon EOS Rebel T1i’s 15.1-megapixel CMOS design looks like it’s not just like the Canon 50D’s sensor, although it does enhance the resolution in the XSi’s 12.1 mega pixels. The sensor and processor combination within the Canon T1i appears to become a little better overall, creating sharper images with greater detail. Knowing from your test images, Canon has indeed handled to enhance image quality while raising ISO and growing resolution simultaneously.

In which the Canon T1i’s sensor differs is incorporated in the data path and also the microlens array: whereas the 50D’s sensor includes a four-funnel readout, the Rebel T1i’s sensor utilizes a 2-funnel readout, meaning the look data can come from the T1i’s sensor more gradually. Because the Canon T1i includes a reduced framerate, the 4-funnel readout might have been considered unnecessary. For the microlens array, we initially assumed that’s was just like the 50D’s gapless microlenses, once we were advised the only distinction between the 2 sensors was the information path now it appears the microlenses within the Canon T1i’s sensor do indeed have “gaps,” that ought to imply that the sensor will let in less light overall. The Rebel T1i’s sensor still looks remarkably near to the 50D’s.

14-bit A/D conversion. Similar to the Rebel XSi, the Canon Rebel T1i uses 14-bit Analog-to-Digital conversion when designing JPEGs, for softer color transitions, and RAW files are saved as 14-bit files. Transforming from 14-bits price of data implies that the saved images are theoretically created from four occasions the colour information than was open to the Canon XTi, that was only in a position to generate 4,096 colors per funnel. The Canon Rebel T1i can recognize 16,384 colors per funnel, that ought to mean softer tones and much more accurate color overall. Though JPEGs it’s still saved as 8-bit color, RAW images may benefit more fully in the 14-bit depth, creating better 16-bit images in programs like Illustrator.

Auto Lighting Optimizer. The Car Lighting Optimizer introduced about the Rebel XSi enables the digital photographer to reveal for that highlights, and so the camera changes the look to spread out in the shadows throughout image capture. About the Canon EOS Rebel T1i, ALO presently has four configurations, including Off, Low, Medium, and Strong.

AE Bracketing. HDR (High Dynamic Range) photographers possess a new tool within the Canon T1i’s enhanced AE Bracketing feature. The feature enables you to definitely bracket images beginning from four stops more dark or ending four stops better compared to meter’s selected exposure value, on the two-stop range, when mixing exposure compensation with AE Bracketing. A brand new display causes it to be simpler to comprehend the feature (see animation at left).

High-definition multimedia interface output. The Canon T1i includes an High-definition multimedia interface (High-Definition Multimedia Interface) port, for exhibiting images and films on the high-definition television.

Missing. Among the key reasons I’d purchase a Canon 50D is its AF Microadjustment feature, which enables me to regulate the autofocus system for a number of lenses during my collection. That’s missing about the Rebel T1i, regrettably. This omission locks Canon fanatics into either the Canon 50D or 5D Mark II, which have the AF Microadjustment feature. Canon Rebel T1i proprietors will have to use a Canon service center when they think a lens includes a back or front-focus problem that should be addressed. It’s this type of no-brainer to incorporate this function, likely needing no extra hardware, it’s difficult to realise why they’d let it rest out — except, obviously, to prevent cannibalizing sales from the EOS 50D.

Quiet shutter mode can also be not available about the Canon T1i. Climax helpful in a few wildlife situations, it wouldn’t deter me from purchasing the Canon Rebel T1i, despite its noisy shutter mechanism, mostly because I do not shoot much wildlife should you shoot wildlife frequently, though, the 50D wins again.

The Rebel EOS Rebel T1i also does not have multiple RAW formats, nor the a large number of permutations when saving RAW JPEG files. This really is not a dreadful loss either, since a lot of options will probably confuse the typical consumer digital photographer into creating a critical error. The only real RAW choices are RAW or RAW plus Large Fine JPEG. You are able to still choose all of the standard JPEG resolution and compression options if not shooting RAW using the Canon T1i.

Lens. The Rebel EOS Rebel T1i has the same package lens that shipped using the XSi: the look-stable 18-55mm EF-S lens that so impressed us at its debut. Equal to a 29-88mm lens on the full-frame 35mm camera, this is an excellent mid-range zoom lens that’s quite light. Optical image stabilization technology provides sharper shots even just in low light. Canon claims you are able to shoot at as much as four stops reduced than usual but still obtain a stable shot. This means that if you’re able to normally obtain a stable shot at 1/60 second, you need to have the ability to squeeze off singleOr4 second shot and also have it emerge sharp. If you are a reasonably steady shooter, it appears to be real. Your results can vary, and don’t forget that image stabilization makes up for camera movement, not for subject movement, so inform your susceptible to hold very still or shoot having a faster shutter speed in a greater ISO.

Storage and battery. Like its predecessor, the Canon Rebel T1i uses SD and SDHC memory cards. It is a shame that they are not suitable for Canon’s greater-finish digital SLRs, designed to use CompactFlash cards (except the costly professional 1D-series cameras, designed to use both). The more style of the Sdcard means tthere shouldn’t be issues with bent hooks about the Canon EOS Rebel T1i, as from time to time happened about the XTi and older models when customers accidentally placed the CF card sideways.

The Canon EOS Rebel T1i also uses exactly the same battery because the XSi, the LP-E5, a 1080 mAh lithium-ion battery with hidden electrical contacts. The XSi’s battery grip, the BG-E5, also works together with the Canon T1i, and replicates the shutter release and control wheel, in addition to AE lock and concentrate point buttons for vertical-format shooting. Individuals who have a problem with the more compact grip about the Canon Rebel series will discover the battery grip helps make the camera as pleasing to make use of and individuals who shoot vertical frequently will love the vertical shutter release, which enables you to definitely shoot with less strain.

New expensive. A brand new small expensive was introduced using the Canon EOS Rebel T1i, the Speedlite 270EX. We are betting it will likely be very popular because of it’s very easy pocketability, lightweight (5 oz .), and reasonable range. Climax powered by only two AA batteries, the 270EX has got the same range because the older Speedlite 220EX that needs four AAs (charging time is elevated, however, taking 4.5 seconds rather than 3). Additionally, it includes a manual zoom from 28mm wide-position coverage to 50mm coverage, along with a guide quantity of 22 meters / 72 ft wide-position, and 27 meters / 89 ft telephoto, both at ISO 100. Better still, its mind can tilt up and secure three positions: 60, 75, and 90 levels.

Regrettably, it does not tilt lower for macro shots, also it does not return beyond 90 levels for additional face-filling bounce shots. Additionally, it does not work to manage other flashes, nor will it be controlled. However, the Canon Rebel T1i’s menu can control the expensive for manual exposure changes indeed, it’s the only method you are able to control the 270EX (it’s unclear which other cameras will have the ability to control the expensive at this time around). Otherwise, your camera controls the flash’s exposure via E-TTL II, Canon’s excellent through-the-lens exposure system. If you wish to bounce expensive from the ceiling when shooting in vertical mode, you will still require a minimum of the 430EX, however for fundamental pictures, the Speedlite 270EX appears like an opportune accessory.

EOS Rebel T1i. | Canon REBEL T1i